The Potted Psalm

“THE POTTED PSALM is a playful, chaotic experiment co-directed by Sidney Peterson. Visual recurring themes include cemeteries, tombstones and sculptures, a headless man, plastic and puppet heads, facial expressions and masks, moving limbs, a collection of various body movements, close-ups of legs and activities involving legs, all filmed with rapid editing and distorted cinematography. “– Zev Toledano, TheLastExit.net

“A soundless mix of story fragments and images. Initially, images of death, a man with a guitar, a soirée. Some images are surreal: an older woman eats a leaf; a headless man pours a cocktail into his body. A woman in white walks toward a building, isolated and in ruins, where a man waits. Then more images, some in reflections, some distorted, many in close-ups: women’s feet in high heels, two bare feet at play, a snail, a knife, a mask, a woman mugging next to it. Women provocatively dance. A woman’s face, staring without affect, rises partially out of water. Now wearing a dark jacket, the woman in white runs as if for her life. Is death at hand, or just images?” —IMDb

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Sidney Peterson

Sidney Peterson (November 15, 1905, Oakland, California – April 24, 2000, New York City) was an American author, artist, and avant-garde filmmaker. He attended UC Berkeley, worked as a newspaper reporter in Monterey, and spent time as a practicing painter and sculptor in France in the 1920s and 1930s. After World War II, Peterson founded Workshop 20 at the California School of Fine Arts (renamed the San Francisco Art Institute), initiating filmmaking courses at the school.

Between 1947 and 1950 the Workshop produced five films under Peterson’s guidance that were influential on the burgeoning American avant-garde cinema, and significant artifacts of the San Francisco Renaissance. In the years that followed, Peterson worked as a consultant for the Museum of Modern Art, made a series of documentary films, penned a novel (A Fly in the Pigment, 1961) and a memoir (The Dark of the Screen, 1980), and worked at Walt Disney Productions as a scriptwriter and storyboard artist on the never completed sequel to Fantasia.
He died in New York City at the age of 94. Peterson’s films are distributed by Canyon Cinema in San Francisco and The Film Makers Cooperative in New York City.

A 2007 comic strip by Dave Kiersh in Syncopated Volume 3 (Syncopated Comics, 2007) tells of his relationship with Peterson, who was a friend of Kiersh’s grandmother.

On December 30, 2009, the Library of Congress named Peterson’s The Lead Shoes (1949) to the National Film Registry. —Wikipedia